Billy Bell

Billy Bell – Banjoist & Jazz Guitarist

? – 1997

MairantsGuitarGroupBBC

Billy Bell seen here on the right in front of announcer David Jacobs during a BBC Broadcast of the Ivor Mairants Guitar Group, Left to right, Joe Mudelle Bass, Jack Duarte, Ivor Mairants and Dennis Wilson on Piano.  Billy appears to be playing an Electric Archtop with tear drop sound holes and a single Pickup with controls mounted on the Scratchplate.

BillyBellBanjoBilly was a versatile musician, being able to play banjo, guitar, tuba and bass. It is as a guitar player he is best remembered, though if the Rust and Forbes “British Dance Band” discography is to be believed, he made a huge number of record both as a double bass and tuba player. Here’s a quick rundown of his likely dance band recording career:

Emlyn Thomas’s London Band………………………….1923 to possibly 1925 (banjo)
Bert & John Firman’s Zonophone house bands……1927 – 1932 (tuba)
Nat Star’s studio band for Homophone…….. various sessions 1929 to 1931 (banjo)
Jack Harris’ Grosvenor House Hotel band……...May 1931 to May 1932 (bass and tuba)
Jay Wilbur’s house band on Rex & Crown records.. various from 1933 – end 1941 (bass)
Phil Green’s band.………………………..     ………….. one session in April 1935 (guitar)

Billy Bell, Bert Weedon, Steve Gauna, Jack Llewellyn, Joe Fenton, George Elliott along with Judd Proctor on Guitar and Bassist Joe Mudelle were all in the Big Ben Banjo Band inspired by Bandleader Norrie Paramor for easy listing and commercial success beyond his wildest dreams.  Formed during the height of their popularity, from 1954 to 1958 by Columbia A & R man Norrie Paramor and were purely intended as a recording unit. Basically they were a Dixieland-style outfit with banjos predominant. Norrie had the pick of the top session musicians, and his original line up included George Chisholm on trombone, Tommy McQuater (trumpet) and Bert Weedon (guitar). They continued to record prolifically, right through into the 1970s. Nice little Earner

1958ParamourNorrie Paramor and the Big Ben Banjo Band
Leader/Piano: Norrie Paramor
Banjos: Billy Bell (bottom Right), Bert Weedon (Top), Steve Gauna, Jack Llewellyn, Joe Fenton, George Elliott 
Trumpet: 
Stan Roderick
Trombone: 
George Chisholm
Accordion: 
Reg Hogarth
Guitar: 
Judd Proctor
Bass: 
Joe Mudelle
Tuba: Jim Powell
Percussion: 
Jock Cummings
Drums: 
Denis McCarthy

Billy Bell, a well-known multi-instrumentalist being able to play banjo, guitar and bass. It is as a guitar player he is best remembered, though if the Rust and Forbes “British Dance Band” discography is to be believed, he made a huge number of record both as a double bass and tuba player. Here’s a quick rundown of his likely dance band recording career:

Emlyn Thomas’s London Band: 1923 -1925 (banjo)

Bert & John Firman’s Zonophone house bands. 1927 – 1932 (tuba)

Nat Star’s studio band for Homophone: 1929 – 1931 (banjo)

Jack Harris’ Grosvenor House Hotel band: 1931 – 1932 (bass and tuba)

Jay Wilbur’s house band on Rex & Crown records. 1933 – 1941 (bass)

Phil Green’s band: 1935 (guitar)

He was one of the stalwarts of The Banjoliers, 9 banjos plus accordion and piano which was started by Pasqual Troise in 1940 when he decided that his mandolin orchestra couldn’t make enough noise to be heard over the factory machines in Music While You Work, a half hour of music designed to keep the war effort moving on. On Troise’s death in 1957 the band was taken over by Jack Mandel. A similar line-up, The Big Ben Banjo Band, was put together by Norrie Paramore some years later, more as a joke, but Norrie was surprised at its popularity and the BBBB survived. In 1958 the banjo line-up was Billy Bell, Bert Weedon, Steve Gauna, Jack Llewellyn, Joe Fenton, George Elliott, and Judd Proctor was listed on guitar.

I started playing the piano when I was 6 years old, learning the usual stuff, and happy in retrospect to have learned reading and playing the traditional way. When I was eleven, my sister got a guitar for Christmas along with a guitar manual written by Billy Bell.  I stole the guitar from her and started to teach myself to play using the tutorial and other bits I had picked up from old records laying around the house.  Several years later I was fortunate to call on Billy Bell for a BBC radio session and I told him about my 1st steps on guitar and how he’d personally inspired me. He shattered my romantic illusions saying that he’d simply agreed to have his picture on the front cover of the book in exchange for a free amplifier. That’s Jazz!Dave Cooke

StratenLaunch

Jack Llewellyn and Ivor Mairants testing a new Van Straten Guitar.
Behind them, from left to right, are Van Straten, Joe Deniz (gr) headstock in hand, Dick Knight, Dick Sadleir and Lauderic Caton.  That could be Billy Bell in the glasses centre rear.

Joe 90 Theme Recording
Personnel: Billy Bell (guitar, banjo); Jim Sullivan, Vic Flick (guitar); Michael Jeffries, David Snell (harp); David Katz, George French, Ray Moseley, Julian Gaillard, Jack Mandel, Lou Whiteson, John Jezzard, Ralph Elman, Jack Greenstone, David McCallum, Reg Leopold (violin); John Underwood , David Bellman, John Dyer (viola); Bram Martin, Fred Alexander, Reginald Kilbey, Alan Ford (cello); Tommy Reilly (harmonica); Henry Krein (accordion); Keith Bird, Cyril Reubens, Roy Wilcox, Peter Hughes (clarinet); Tommy McQuater (trumpet); Alf Reece (trombone, tuba); Jock Bain (trombone); Frank Rycroft (horns); Bill Davies (organ); Joe Mudelle, Dave Richmond (bass guitar); Jock Cummings, Stan Barrett, Alan Hakin, Eric Allen (percussion). Unknown Contributor Role: Jack Emblow.

Fallon&MuddelJoe Muddell or Mudelle – Bassist (Right)
born in 1920 Joe Muddell was an original Club Eleven bass player. He began playing at seventeen years of age but his musical career was interrupted by war service in the RAF. He played with Tito Burns in 1947 before Club Eleven in 1948. Then in 1950 became a founder member of the Johnny Dankworth Seven. Worked with various groups in the early 1950s before forming his own band in 1952 before long spells with Tommy Whittle and Tony Kinsey in the mid 1950s.  He than became a prolific free-lance musician with TV, radio and studio work.

TonyKinsey4

The Club Eleven was so named because it had 11 founders – business manager Harry Morris and 10 British bebop musicians. It was first opened at 41 Great Windmill Street in Soho in 1948, and had 2 House bands one led by Ronnie Scott and the other by John Dankworth. Scott’s sidemen included Tony Crombie Lennie Bush, Tommy Pollard,  and Hank Shaw, while Dankworth’s included Leon Calvert , Bernie Fenton, Joe Mudell, and Laurie Morgan. When Scott toured the U.S., Don Rendell filled his spot. Denis Rose organized many of the activities at the club. In 1950 the club moved to 50 Carnaby Street, but shuttered a few months after the move as a consequence of a police raid.

Roland Peachey Hawaiian Guitarist with Felix Mendelssohn – (Piche) came to the UK from Canada in 1937, bringing with him a 7 string “Frypan” and Jack G. Abbott of London made him a 3 neck Lap Steel guitar.   One can assume that the pick-ups were either copied from the Rickenbacker or maybe even bought direct from the Rick’ company..

Felix Mendelssohn’s Hawaiian Serenaders

Rhythm and Soloist Guitarists included George Elliott and Billy Bell for commercial reasons only perhaps, but providing a film record of their performance.
The three neck Lap Steel guitar in the clip is certainly an ABBOTT

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